Alysha Mohamed

Stories

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From QJ to the New York Times: A conversation with Shivani Gonzalez

‘Bridgerton’ season two is an intoxicating vision of what representation can be

Mourning my almost-lives

We need to have more unfiltered conversations about money

Virgil Abloh’s legacy is one of trailblazing creativity and empathetic mentorship

Analyzing the newfound appreciation for Indian remedies

What COVID felt like as a vaccinated 21-year-old

As an older sister, ‘Encanto’ felt like a love letter

‘’Euphoria’ continues to push stylistic and sexual boundaries in season two

Ranking places I’ve cried on Queen’s campus

Distance doesn’t make the heart grow fonder

We need to stop romanticizing unhealthy power dynamics in relationships

@simran changed the game for brown girls everywhere

Confessions of a closeted theatre kid

The ‘Toronto girl’ lifestyle can seep into Queen’s culture

‘No Time to Die’ subverts our expectations of the classic ‘Bond girl’ trope

Jordan Peele’s brilliance makes horror accessible

‘Sex Education’ is back and raunchier than ever

The Emma Chamberlain appeal

Moving beyond the male gaze

‘We’re Not Really Strangers’ highlights our desire to form deep connections

It’s not middle school, I have body hair

‘The Activist’ was rightfully cancelled

Reclaiming the Word: Slut

The realities of being a young woman of colour in politics

‘Never Have I Ever’ charms viewers with more nuanced representation in season two

Men of colour paved the path for Harry Styles’ genderless fashion

Breaking down Britney Spears’ confining conservatorship case

Kehlani has created space for fluid, authentic queerness in the R&B world

Embracing queer contestants makes for better reality TV

Goodbye sweatsuits, hello spring fashion

To stay relevant, the Golden Globes must recognize diverse talent

France is promoting Islamophobia under the façade of secularism

Artists during lockdown: Visual artist Clanny Mugabe talks pandemic’s impact on practice

Retrofuturism: Danika Watson discusses sci-fi artwork

Understanding conflicting identities as a queer student of colour

Natasha Beaudoin talks Greek mythology as inspiration for her subversive paintings

Agnes’ ‘Drift: Art and Dark Matter’ explores the unseen matter of our universe

Professor Carolyn Smart leaves powerful legacy at Queen’s with Lake Effect 10

Sarah Waisvisz imagines the future of Blackness through monodrama Witness Shift

New club Good Mourning creates space for Queen’s students to talk about grief

‘Citizen: An American Lyric’ challenges readers with the reality of casual racism

Danielle Hope Edwards: gospel-inspired sound and the healing power of music

‘I love the colour palette of childhood’: Sadie Levine on her imaginative artwork

Friends of The Screening Room raise over $100,000 for local indie theatre

Writer-in-Residence Kaie Kellough talks heritage, ancestry, and experimentation

Queen’s student launches artistic clay business

Christina Bisol elected next EngSoc President

‘The Crown’ brilliantly portrays the decline of the British monarchy

EngSoc candidates debate key issues for upcoming year

Commentary: The art of adapting literature to television is strategic

EngSoc Presidential election: Christina Bisol runs uncontested

Four EngSoc candidates compete for vice-president of student affairs

Two candidates compete for EngSoc junior senator

Race heats up for EngSoc’s VP Operations

‘Fresh Prince’ reunion reveals the emotional journey behind the iconic sitcom

Union Gallery highlights student art with two new exhibitions

Arts students deserve more credit

Blue Canoe’s ‘Voulez-Zoom’ brings the magic of Mamma Mia online

Feeling beautiful in white-dominated spaces

‘When we think of Indigenous peoples, we think of the past’: Students and educators confront the lack of Indigenous education in school systems

‘A Mind Spread Out on the Ground’ is a stunning meditation on trauma, decolonization, and love

Muslim International Film Festival makes history in October debut

‘There’s nothing like live laughter’: The Pinecone Uprising performs at Musiikki Café

Sabrina Fielding discusses her portrayal of adolescence in ‘The Red Swimsuit’

Union Gallery plans virtual showcase of student films

A24’s filmmaking crafts meaningful art under a new mainstream spotlight

The Codas bring multi-layered sound to Kingston’s music scene

‘Icara’ took flight with a socially-distanced audience

Music has the capacity to make climate resistance feel more personal

Commentary: Theatre and film are increasingly merging mediums

‘Patriot Act’ was a hilarious, brilliant example of South Asian representation

‘I want bystanders to feel like they have the responsibility to speak up’: Queen’s students share experiences of discrimination

Dan School of Drama and Music cancels fall and winter majors

The complexities of race and motherhood scorch the screen in Little Fires Everywhere

Funeral Lakes talk new EP, Golden Season

Commentary: lack of diversity manifests on stage and behind the scenes in Queen’s theatre

Mr. Burns shines unconventionally and unapologetically

Our modern obsession with poetry is only growing

Students and faculty are responsible for addressing racism at Queen’s

At present, we doth protest in vain, methinks

Christina Bisol elected next EngSoc President

EngSoc candidates debate key issues for upcoming year

‘A Mind Spread Out on the Ground’ is a stunning meditation on trauma, decolonization, and love