It appears the motto of this year’s Paris Fashion Week (PFW) is to let your bra go.

After years of searching, Roswell Rehearsals has finally found a new home.

It would be a shame, especially during Latin American Heritage Month, to overlook the food of what is often called South America’s culinary capital.

Give your childhood friends an extra squeeze this Friendsgiving, Cancer. They’ve seen you at your worst, and are still hanging around, which is definitely something to be thankful for! They’re like family to you, so prioritize spending quality time with them during this Reading Week break.

Carnelian isn’t known as the singer’s stone for nothing.

Two-time Giller prize winner M. G. Vassanji, explores concepts of identity and belonging in his memoir and essay collection, Nowhere, Exactly.

News flash, hyper-pop is back—raw, unfiltered, and dominated by women pop artists.

Bound to be controversial, Sally Rooney’s fourth long-awaited new novel, Intermezzo, is finally here.

After securing her book deal through Kingston WritersFest in 2022, Marianne K. Miller, JD ’80, returned to the festival to share her perspective on Ernest Hemingway and historical fiction.

Dear Liz, I recently went on a date with a guy I thought was pretty cute on Tinder. His profile was full of green flags, and we had good banter over text. When I got to the date (time and location picked by him), something immediately felt off.

Union Gallery is creating space for necessary conversations surrounding truth and reconciliation through Indigenous art.

It’s clear musical talent runs in the Celia family.

The Isabel Bader Centre, a pillar of the Queen’s and Kingston arts world, officially turned 10 years old on Sept. 20.

Every generation needs its defining women-led ensemble show. Gen X has Sex and the City, millennials have Girls, but where does that leave Gen Z?

MUSE Magazine’s Mini Desk concert is now a staple on the Queen’s music calendar.

Directors and writers need to find a balance between the two extremes of romance films.

Matthew Schofield drew upon his experiences to give advice to aspiring artists at Queen’s.

It Doesn’t Get Any Better Than This succeeds at delivering grounded and atmospheric horror on a low budget.

Kasador’s first hometown show since 2023 didn’t disappoint.

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