Film

As Hollywood wraps up another awards season celebrating cinematic excellence, a different kind of ceremony has also crowned its winners, not as films recognized for artistic achievement, but for spectacular failure.

The third show in HBO’s A Song of Ice and Fire franchise signifies a bright future for George R. R. Martin’s new television adaptations. 

John F. Kennedy Jr. and Carolyn Bessette-Kennedy are back in the spotlight in FX’s new series Love Story (2026).

In the midst of an eventful awards season highlighting many incredible films, some great movies have been swept under the rug.

I laughed. I cried. I felt compelled to try the CN Tower’s EdgeWalk.

On Valentine’s Day, I found myself in the last place most people would choose: a dark theatre, watching a film about grief. Yet it felt exactly right.

Between family expectations and personal freedom, some desires are taught to remain silent.

Sunday evening at the Broom Factory was marked by what seemed like an endless round of applause.

Mile End Kicks made me long for the joy of early 2010s Montreal hipsterdom.

When “Wuthering Heights” concluded at The Screening Room, there wasn’t a dry eye in the theatre. Except for three—mine, and my two new friends beside me who’d also read the book.

The concept of colour-blind casting becomes problematic when producers don’t stand up for cast members against racist audiences.

There’s a lot to love at this year’s Kingston Canadian Film Festival (KCFF).

A movie I thought would be brat—messy, loud, brash—instead, left me leaving the theatre holding back tears.

Amantes appears to be a soft romance at first glance, but quickly unfolds into a study of vulnerability and emotional responsibility.

James Bidgood is a name known to few, but those who learn his story are unlikely to forget it.

Wonder Man is the Marvel Cinematic Universe’s (MCU) love letter to Hollywood.