If 2026 is the new 2016, I Love LA marks a return in interest for the city 2016 couldn’t get enough of.
Thirty-seven days and a dream made history in Canadian and international television.
Next month’s Oscars race for Best Picture will be one of the toughest in recent history.
Wicked: For Good’s moral lessons extend beyond the boundaries of Oz.
After watching Stranger Things season 5, I have mixed thoughts.
Hollywood’s next rising star is destined for success—in fact, she’s been coded to perfection.
Kingstonians are offered a chance to reconnect with their childhood nostalgia and whimsy.
One new sci-fi thriller’s as funny as it’s horrifying, taking audiences on a slow descent into paranoia.
Stripped-back rock and raw emotion are on display in one new film.
Last Friday, my housemates and I scrambled to finish our makeup, pull our outfits together, and rush out the door. But we weren’t hitting the bars—we were heading to The Screening Room.
In this true crime series, the actual murders shock less than the fictionalized horror.
A new Kingston-based animation studio is taking its first steps toward turning the city into a national hub for digital storytelling.
We’ve all thought it—some actors are just too symmetrical to be in a period piece.
Carnelian’s January show at The Ale House wasn’t just a concert, it was a farewell gesture. Now, it’s a documentary.
You know what they say, friends who become lost together, stay together.
Universal Language masterfully balances surreal comedy and moving drama to tell a story of belonging.
Blue Rodeo are a pillar of the Canadian music canon, together for over 40 years, and still playing.
With naturalistic dialogue and a minimalist approach to filmmaking, Matt and Mara shows that when it comes to effective storytelling, less is sometimes more.
Kingston’s music scene takes centre stage in Still Alive in Kingston.
Another year, another round of long overdue firsts at The Academy.
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