Film

Last Friday, my housemates and I scrambled to finish our makeup, pull our outfits together, and rush out the door. But we weren’t hitting the bars—we were heading to The Screening Room.

In this true crime series, the actual murders shock less than the fictionalized horror.

A new Kingston-based animation studio is taking its first steps toward turning the city into a national hub for digital storytelling.

We’ve all thought it—some actors are just too symmetrical to be in a period piece.

Carnelian’s January show at The Ale House wasn’t just a concert, it was a farewell gesture. Now, it’s a documentary.

You know what they say, friends who become lost together, stay together.

Universal Language masterfully balances surreal comedy and moving drama to tell a story of belonging.

Blue Rodeo are a pillar of the Canadian music canon, together for over 40 years, and still playing.

With naturalistic dialogue and a minimalist approach to filmmaking, Matt and Mara shows that when it comes to effective storytelling, less is sometimes more.

Kingston’s music scene takes centre stage in Still Alive in Kingston.

Another year, another round of long overdue firsts at The Academy.

It’s an attention economy, and the distractions are doing their job.

The world’s largest celebration of exclusively Canadian film is back for its 25th year.

The Muleteer dazzles but stumbles in its storytelling, leaving its queer and historical themes frustratingly underdeveloped.

Hollywood’s idea of diversity often means a single Black character with no depth, no story, and no purpose.

She’s an undercover cop, he’s the head of an underground drug ring. The unlikely pairing promises many twists and turns.