Film

From ancient epics to dystopian futures, 2025 is set to bring some of our favourite stories to the big screen.

Sometimes the best things in life are free. Kingston’s favourite Irish pub, The Toucan, continues its tradition of talented live musicians, and it won’t cost you a cent.

Viewers are tired of watching the same story redone over and over at the  expense of new, refreshing stories that could redefine the film canon.

Nicole Kidman’s erotic new film invites honesty and orgasms into the bedroom, even if it takes a while to get there.

Timothée Chalamet electrifies as Bob Dylan in enigmatic biopic A Complete Unknown.

Directed by James Mangold, the film, which hit theatres on Christmas day, dives into the life of the legendary Bob Dylan.

Wicked doesn’t just revive the magic of the World of Oz—it makes us believe in it all over again.

Ushering in an imaginative era of Torontonian film and bound to be a Canadian cult classic, The Pee Pee Poo Poo Man reaches Kingston.

As a simple cinephile, armed with both an X and Letterboxd account, my feed has been blowing up for the past few months about one of the most lauded pictures of the year: Sean Baker’s ‘Anora’ (2024).

Adam Sandler’s brand of heavy-hitting comedy may be the last of its kind. Upon a recent rewatch of Adam Sandler’s Blended (2014), it was striking to note the big budget, legendary cast and pure laugh factor the family comedy held.

Confronted by finite limitations in an infinite world, We Live in Time (2024) leaves viewers questioning whether chasing legacy is a pursuit worth striving for—or just another way to end up as the richest man in the graveyard.

Watching horror movies to celebrate Halloween illustrates how horror as a film device is utilized to reflect societal and cultural fears.

Both music and movies are beloved by audiences worldwide, but true magic is made when the two come together.

Directors and writers need to find a balance between the two extremes of romance films.

It Doesn’t Get Any Better Than This succeeds at delivering grounded and atmospheric horror on a low budget.

Luca Guadagnino’s latest film Queer explores the way love can quickly turn into obsession.

Sofia Coppola’s directorial debut, ‘The Virgin Suicides’, celebrated its 25th anniversary at The Screening Room this month.