It’s an attention economy, and the distractions are doing their job.
The world’s largest celebration of exclusively Canadian film is back for its 25th year.
The Muleteer dazzles but stumbles in its storytelling, leaving its queer and historical themes frustratingly underdeveloped.
Hollywood’s idea of diversity often means a single Black character with no depth, no story, and no purpose.
She’s an undercover cop, he’s the head of an underground drug ring. The unlikely pairing promises many twists and turns.
Nine years ago, Mike Laughlin didn’t know if he was going to survive. Now, he shares his story.
This year’s ReelOut film festival offers a chance to broaden perspectives and embrace the beauty of stories.
One of the most sought-after awards in filmmaking, the 2025 Best Picture category leaves something to be desired compared to past award seasons.
Director Steven Soderbergh succeeds at innovating and keeping the audience guessing with Presence.
From ancient epics to dystopian futures, 2025 is set to bring some of our favourite stories to the big screen.
Sometimes the best things in life are free. Kingston’s favourite Irish pub, The Toucan, continues its tradition of talented live musicians, and it won’t cost you a cent.
Viewers are tired of watching the same story redone over and over at the expense of new, refreshing stories that could redefine the film canon.
Nicole Kidman’s erotic new film invites honesty and orgasms into the bedroom, even if it takes a while to get there.
Timothée Chalamet electrifies as Bob Dylan in enigmatic biopic A Complete Unknown.
Directed by James Mangold, the film, which hit theatres on Christmas day, dives into the life of the legendary Bob Dylan.
Wicked doesn’t just revive the magic of the World of Oz—it makes us believe in it all over again.
Ushering in an imaginative era of Torontonian film and bound to be a Canadian cult classic, The Pee Pee Poo Poo Man reaches Kingston.
As a simple cinephile, armed with both an X and Letterboxd account, my feed has been blowing up for the past few months about one of the most lauded pictures of the year: Sean Baker’s ‘Anora’ (2024).
Adam Sandler’s brand of heavy-hitting comedy may be the last of its kind. Upon a recent rewatch of Adam Sandler’s Blended (2014), it was striking to note the big budget, legendary cast and pure laugh factor the family comedy held.
Confronted by finite limitations in an infinite world, We Live in Time (2024) leaves viewers questioning whether chasing legacy is a pursuit worth striving for—or just another way to end up as the richest man in the graveyard.
Watching horror movies to celebrate Halloween illustrates how horror as a film device is utilized to reflect societal and cultural fears.
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