Union Gallery’s ‘the black experience…time & memory’ exhibit revisits Queen’s overlooked past

Union Gallery’s ‘the black experience…time & memory’ mixed media exhibition spotlights decades of Black history at Queen’s University.

January 30, 2026

Burnt-out candles crowded around the edge of a dirty sink, overflowing with used bath bombs. Beauty creams and face masks litter the shelves and floor, surrounded by piles of crumpled, stained laundry. Empty wrappers flit about the floorboards.

January 30, 2026

One studio has helped four artists take flight. 

January 23, 2026

Some memories fade; “Sweet Dreams” refuses to.

We could all take more time to enjoy living “the good life.”

Whether you’re hoping to take a piece home, or just having a look, there’s something for everyone at Side by Side 2026.

If you’ve ever walked through Springer Market Square and thought the space could feel a little brighter, Lucy DeSousa has coloured it for you.

The Agnes Etherington Art Centre’s Hotline exhibition encompasses decades of HIV/AIDs activism in one room.

Kingston’s thriving arts community spotlighted some major players this week.

As winter quickly approaches and Queen’s colours fade into November, campus got a fresh pop of colour last month.

The worlds of art, fabric, and nature intertwine at the Tett Centre for Creativity and Learning in one new exhibit.

Once a wetland, then a landfill, later a golf course, and now a shared green space that holds traces of all its past lives—Belle Park has a complex history.

A new Kingston-based animation studio is taking its first steps toward turning the city into a national hub for digital storytelling.

It was a big week at the Union Gallery (UG).

Whether traveling by bus, bike, skateboard, or on foot, Kingston’s a city on the go

While many university clubs find comfort in a chain of command, one group is breaking free from hierarchy altogether.

This month at the Agnes Etherington Art Centre, toss your past through a paper shredder and watch it become part of something beautiful.

Surrounded by soft gradients of yellow, green, and purple prints, stories and recipes simmered together at the Tett Centre for Learning and Creativity.

In some works of art, the artists’ identity is on full display—something true for the exhibit, Seeing Ourselves.

In a striking new exhibit, artist Bayani Catapang traces his life and heritage through six vibrant collections of work.

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