With Canada’s biggest night in music less than a week away, there’s plenty to discuss.

As Hollywood wraps up another awards season celebrating cinematic excellence, a different kind of ceremony has also crowned its winners, not as films recognized for artistic achievement, but for spectacular failure.

I once stumbled upon a Tumblr thread that read: People say “phase” like impermanence means insignificance. Show me a permanent state of the self.

This week, the John Deutsch University Centre (JDUC)’s Wallace Hall was transformed into a space for somber contemplation and hopeful celebration of Iranian artistry and culture.

Theatre Kingston’s Hands in Her Pockets places deaf artists firmly at the centre of performance.

The Journal sat down to discuss writing, film, and life with the acclaimed Kingston author Iain Reid, ArtSci ’04.   

On a Thursday night at Ale Canteen, Steve Harvey hit on Sydney Sweeney, The Sound of Music’s Maria von Trapp came out as queer, and Dr. Seuss’s Cat in the Hat faced an identity crisis.

The third show in HBO’s A Song of Ice and Fire franchise signifies a bright future for George R. R. Martin’s new television adaptations. 

John F. Kennedy Jr. and Carolyn Bessette-Kennedy are back in the spotlight in FX’s new series Love Story (2026).

Timothee Chalamet deemed ballet and opera things “We need to keep alive even though no one cares about [them]” while promoting a film about ping pong.

In a small boutique in Kingston, women step out of the fitting room smiling. Moments earlier, some may have felt unsure about their futures, as entering the professional world can feel uncertain. Organizations like Dress for Success Kingston aim to help change that.

One new Kingston show explores deaf artistry in a clever homage to classic theatre.

Fate took the runway at this year’s Vogue Charity Fashion Show.

What You Won’t Do For Love isn’t a typical theatre experience, but it’s a particularly profound one.

A haunting new Queen’s production blends allegory and satire for a brilliant, must-see performance.

As artificial intelligence (AI) increasingly reshapes music and visual art, Gorillaz’s newest album The Mountain arrives as a reminder that even a “virtual band” can remain deeply human.

In the midst of an eventful awards season highlighting many incredible films, some great movies have been swept under the rug.

I laughed. I cried. I felt compelled to try the CN Tower’s EdgeWalk.

On Valentine’s Day, I found myself in the last place most people would choose: a dark theatre, watching a film about grief. Yet it felt exactly right.

The Queen’s student band scene isn’t known for bitter rivalries.