Film

Sunday evening at the Broom Factory was marked by what seemed like an endless round of applause.

Mile End Kicks made me long for the joy of early 2010s Montreal hipsterdom.

When “Wuthering Heights” concluded at The Screening Room, there wasn’t a dry eye in the theatre. Except for three—mine, and my two new friends beside me who’d also read the book.

The concept of colour-blind casting becomes problematic when producers don’t stand up for cast members against racist audiences.

There’s a lot to love at this year’s Kingston Canadian Film Festival (KCFF).

A movie I thought would be brat—messy, loud, brash—instead, left me leaving the theatre holding back tears.

Amantes appears to be a soft romance at first glance, but quickly unfolds into a study of vulnerability and emotional responsibility.

James Bidgood is a name known to few, but those who learn his story are unlikely to forget it.

Wonder Man is the Marvel Cinematic Universe’s (MCU) love letter to Hollywood.

When winter tightens its grip on Kingston, these four films are here to help you embrace the snow.

This weekend at ReelOut, two screenings connected the past, present, and future of Black queer artistry.

The Screening Room’s about to embark on a seven-week long journey through the world of Technicolour, celebrating of the wonderful medium of filmmaking.

A taste of the great outdoors delighted Kingston audiences this month.

Please be quiet, my show’s on.

Nearly two-thirds of the films topping Hollywood’s 2026 anticipated movie lists are built on stories audiences have already seen before.

People love cinema, but this live love is quickly fading in the new age of streaming sites.